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The origin of the word crewel is unknown but is thought to come from an ancient word describing the curl in the staple, the single hair of the wool. [5] The word crewel in the 1700s meant worsted, a wool yarn with twist, and thus crewel embroidery was not identified with particular styles of designs, but rather was embroidery with the use of this wool thread.
Further development of needlepoint was influenced in the 17th century by Bargello [5] and in the 19th century by shaded Berlin wool work in brightly colored wool yarn. Upholstered furniture became fashionable in the 17th century, and this prompted the development of a more durable material to serve as a foundation for the embroidered works of art.
Example of modern Hardanger embroidery work Hardanger embroidery sample, from a 1907 needlework magazine.. Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques.
Quilt block in reverse appliqué. In the context of sewing, an appliqué refers to a needlework technique in which patterns or representational scenes are created by the attachment of smaller pieces of fabric to a larger piece of contrasting colour or texture.
Modern projects usually entail the hand knitting of hats or helmet liners; the liners provided for soldiers must be of 100% worsted weight wool and be crafted using specific colors. Some charities teach women to knit as a means of clothing their families or supporting themselves.
Scotswomen walking (fulling) woollen cloth, singing a waulking song, 1772 (engraving made by Thomas Pennant on one of his tours). Fulling, also known as tucking or walking (Scots: waukin, hence often spelt waulking in Scottish English), is a step in woollen clothmaking which involves the cleansing of woven cloth (particularly wool) to eliminate oils, dirt, and other impurities, and to make it ...
The base cloth includes water proof material for umbrellas, velvet for tents, cotton, and threads. [6]Mythical and natural figures are used for the work, including peacocks, ducks, parrots, trees, elephants, creepers, flowers such as jasmine and lotus, the Sun, half-moon, and Rahu (a mythical demon who once swallowed up the sun).
Finishing is a broad range of physical and chemical treatments that complete one stage of textile manufacturing and may prepare for the next step, making the product more receptive to the next stage of manufacturing. Finishing adds value to the product and makes it more attractive, useful, and functional for the end-user.
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