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2. Cheval mirror - Wikipedia

   en.wikipedia.org/wiki/Cheval_mirror

   Cheval glass (USA, c. 1815) The cheval glass (also cheval mirror, psyche mirror, horse dressing glass, swing glass) is a free-standing large mirror, usually with a tilt mechanism, that provided a complete reflection from head to foot (thus also the full-length mirror name).

3. Chevrolet Chevelle - Wikipedia

   en.wikipedia.org/wiki/Chevrolet_Chevelle

   The rear panel of the Z-16 had unique black, and chrome trim which framed untrimmed Chevelle 300-style taillights (Malibu and Malibu SS models had bright silver-painted lens trim). The prototype Z-16 Chevelle was built at the Baltimore plant. One prototype, and the 200 production units comprise the often-quoted 201 figure. All were two-door ...

4. Cheval - Wikipedia

   en.wikipedia.org/wiki/Cheval

   Cheval may refer to: Cheval, Florida, United States; Cheval tree, a tree native to North Agalega Island; Cheval mirror, a full-length floor-standing mirror mounted in a frame that allows it to swing freely; Cheval, loan word from French meaning horse meat

5. One-way mirror - Wikipedia

   en.wikipedia.org/wiki/One-way_mirror

   One-way mirrors for upper-level observation deck viewing down into a classroom (University of Wisconsin-Eau Claire) A one-way mirror, also called two-way mirror [1] (or one-way glass, half-silvered mirror, and semi-transparent mirror), is a reciprocal mirror that appears reflective from one side and transparent from the other. The perception of ...

6. House of mirrors - Wikipedia

   en.wikipedia.org/wiki/House_of_mirrors

   The climax of the 1947 Orson Welles film The Lady from Shanghai takes place in a maze of mirrors. In the finale of Enter the Dragon (1973), Bruce Lee's character navigates a mirror maze by breaking through the mirrors. Francisco Scaramanga's "Fun House" in the 1974 James Bond film The Man with the Golden Gun has a house of mirrors.

7. Verre églomisé - Wikipedia

   en.wikipedia.org/wiki/Verre_églomisé

   Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [ 1 ] (1711–1786), who was responsible for its revival.