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Brogan-like shoes, called "brogues" (from Old Irish "bróc" meaning "shoe"), were made and worn in Ireland and Scotland as early as the 16th century, and the shoe type probably originated in Ireland. [ 1 ] [ 2 ] They were used by the Scots and the Irish as work boots to wear in the wet, boggy Scottish and Irish countryside. [ 3 ]
Pattens were worn during the Middle Ages outdoors, and in public places, over (outside of) the thin soled shoes of that era. Pattens were worn by both men and women during the Middle Ages, and are especially seen in art from the 15th century; a time when poulaines—shoes with very long, pointed toes—were particularly in fashion.
Pair of full brogue shoes. The brogue (derived from the Gaeilge bróg (), and the Gaelic bròg for "shoe") [1] [2] is a style of low-heeled shoe or boot traditionally characterised by multiple-piece, sturdy leather uppers with decorative perforations (or "broguing") and serration along the pieces' visible edges.
The poulaine proper was a shoe or boot of soft material whose elongated toe (also known as a poulaine or pike) frequently required filling to maintain its shape. The chief vogue for poulaines spread across Europe from medieval Poland in the mid-14th century and spread across Europe, reaching upper-class England with the 1382 marriage of Richard ...
Shoes for men and women were flat, and often slashed and fastened with a strap across the instep. They were made of soft leather, velvet, or silk. Broad, squared toes were worn early, and were replaced by rounded toes in the 1530s. Toward the middle of the century, shoes became narrower and were shaped naturally to the foot. [31]
The male shoes were lace-up Oxford style with a low heel and an exaggerated pointed toe. A Chelsea boot style (elastic-sided with a two-inch—later as much as two-and-one-half-inch—Cuban heels) was notably worn by the Beatles but although it had a pointed toe, was not considered to be a winklepicker. Winklepicker shoes were also worn by ...
Men's Oxford full brogue spectator shoes, c. 1930 The spectator shoe, also known as co-respondent shoe, is a style of low-heeled, oxford, semi-brogue or full brogue constructed from two contrasting colours, typically having the toe and heel cap and sometimes the lace panels in a darker colour than the main body of the shoe.
[1] [2] Duckbill shoes were rounded like a duck's bill; cowsmouth shoes widened abruptly at the toes; and bearsclaw shoes had slashes parallel to the toes, so the toe could expand laterally. There is a surviving design for a duckbill shoe by Albrecht Dürer ; he describes it as made on an absolutely straight, symmetric last, and as having an ...
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