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The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice.In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5).
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C 4) to the A two octaves above (i.e.
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (), such as breaks and lifts within the voice.
Sam "Kayko" Kelly-Cohen’s journey t o the Top 10 on “American Idol” didn’t just begin on that fateful day in the audition room when the judges asked him to sing on a whim. It dates much ...
The contralto voice in opera and classical music has a range which typically lies between the F below middle C to two Fs above middle C (F5).In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two B ♭ s above middle C (B ♭ 5). [1]
The list differs from the 2004 version, with 26 songs added, all of which are songs from the 2000s except "Juicy" by The Notorious B.I.G., released in 1994. The top 25 remained unchanged, but many songs down the list were given different rankings as a result of the inclusion of new songs, causing consecutive shifts among the songs listed in 2004.
1. “Spooky” By Lydia Lunch. We think you’ll agree that Lydia Lunch of Teenage Jesus and the Jerks gives Dusty Springfield’s classic a considerably spookier edge.
"Ständchen", D 920/921 (also known as "Notturno") is a part song for alto solo, chorus, and piano by Franz Schubert. He composed it in Vienna in July 1827, setting words by Franz Grillparzer ("Zögernd leise, in des Dunkels nächt'ger Hülle"). [1] Schubert wrote two versions, for male and female chorus, originally catalogued as: