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This allows for the books' meaning to be personally interpreted by the reader, instead of the author detailing a strict, set meaning. J. R. R. Tolkien was a devout Roman Catholic from boyhood, and he described The Lord of the Rings in particular as a "fundamentally religious and Catholic work; unconsciously so at first, but consciously in the ...
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences, including his philological interest in language, [113] Christianity, [114] [115] medievalism, [116] mythology, archaeology, [117] ancient and modern literature, and personal experience.
The Lord of the Rings is an epic [1] high fantasy novel [a] written by English author and scholar J. R. R. Tolkien.Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work.
He described The Lord of the Rings as "fundamentally" Christian, and there are many Christian themes in that work. He wrote in a letter to his close friend and Jesuit priest, Robert Murray: [T 1] The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is ...
Tolkien said "Of course God is in The Lord of the Rings. The period was pre-Christian, but it was a monotheistic world", and when questioned who was the One God of Middle-earth, Tolkien replied "The one, of course! The book is about the world that God created – the actual world of this planet." [34]
"The Appeal of The Lord of the Rings: A Struggle for Life" yes--Considers why the book is so attractive, including to "sober critics", who find that the work is "amazingly alive", and suggests that the central theme in the book is of life and death. Patricia Meyer Spacks "Power and Meaning in The Lord of the Rings" yes-yes: Critique 1959
J. R. R. Tolkien's fantasy novel The Lord of the Rings has been translated, with varying degrees of success, many times since its publication in 1954–55. Known translations are listed here; the exact number is hard to determine, for example because the European and Brazilian dialects of Portuguese are sometimes counted separately, as are the Nynorsk and Bokmål forms of Norwegian, and the ...
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