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"Black Hole Sun" is a song by American rock band Soundgarden. Written by frontman Chris Cornell , the song was released in May 1994 by A&M Records as the third single from the band's fourth studio album, Superunknown (1994).
Soundgarden used alternate tunings and odd time signatures on several of the album's songs. "Spoonman", "Black Hole Sun", "Let Me Drown" and "Kickstand" were performed in drop D tuning while "Fell on Black Days" was performed in standard tuning. Some songs used more unorthodox tunings: "Superunknown" and "Fresh Tendrils" are in DGDGBe tuning ...
Two singles from Superunknown, "Black Hole Sun" and "Spoonman", won Grammy Awards, [41] and the music video for "Black Hole Sun" won a MTV Video Music Award and a Clio Award. [55] Superunknown was ranked number 336 on Rolling Stone magazine's list of the 500 greatest albums of all time , [ 56 ] and "Black Hole Sun" was ranked number 25 on VH1 ...
The song peaked at number three on the Billboard Album Rock Tracks chart and number nine on the Modern Rock Tracks chart. A remixed version of the song by Steve Fisk appears on the "Black Hole Sun" and "My Wave" singles. The song was included on Soundgarden's 1997 greatest hits album A-Sides and the 2010 compilation album Telephantasm.
Soundgarden achieved its biggest success with their fourth album Superunknown (1994), which debuted at number one on the Billboard 200 and yielded the Grammy Award-winning singles "Spoonman" and "Black Hole Sun".
The black hole is the most massive of its kind ever seen. ... Gaia-BH3’s companion star, a sub-giant star, is 15 times brighter than the Sun and five times its radius, but slightly cooler and ...
"Fell on Black Days" is a grunge [2] and psychedelia song, [3] and was written by frontman Chris Cornell.The time signature of the song is in 6/4. [4] Cornell said, "On 'Fell on Black Days'; the drums are totally straight, even though the riff is in six, so it doesn't feel quirky at all."
O ne thing is always for sure with Taylor Swift: her most devastating songs will always be the fifth track on her albums. It’s a pattern that fans have noticed since 2012's Red .