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The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:
The dominant seventh chord is frequently used to approximate a harmonic seventh chord, which is one possible just tuning, in the ratios 4:5:6:7 [1] Play ⓘ, for the dominant seventh. Others include 20:25:30:36 Play ⓘ , found on I, and 36:45:54:64, found on V, used in 5-limit just tunings and scales.
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...
7 string electric guitar US Van Eps aka "Jazz tuning" "Choro" is popular in Brazil 6-string alternates may be adapted for the 7-string Guitar, 8 string (low/high) 8 strings 8 courses. B 1 E 2 A 2 D 3 G 3 B 3 E 4 A 4: 8 string classical guitar Spain aka "Galbraith tuning" Guitar, 8 string (added basses) 8 strings 8 courses [B 1 D 2] E 2 A 2 D 3 ...
Drop D 7-string tuning – D-D-A-d-g-b-e' This is the standard seven-string tuning with the low B string raised to D and lower E string dropped to D. The Drop C variation of this tuning (C-C-G-C-F-A-D) was used by James Hetfield on an ESP 7-String Guitar when Metallica were recording the song "Some Kind Of Monster" from the album St. Anger.
The chord a minor third above, ♭ VII 7, may be substituted for the dominant, and may be preceded by its ii: iv 7. [15] Due to common use the two chords of the backdoor progression (IV 7-♭ VII 7) may be substituted for the dominant chord. [10] In C major the dominant would be G7: GBDF, sharing two common tones with B ♭ 7: B ♭ DFA ♭.
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
Put another way, it is the key whose tonic is the dominant scale degree in the main key. [8] If, for example, a piece is written in the key of C major, then the tonic key is C major and the dominant key is G major since G is the dominant note in C major. [9] "Essentially, there are two harmonic directions: toward I and toward V.
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