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The Virgin in Prayer is an oil painting by the Italian artist Giovanni Battista Salvi da Sassoferrato, painted in c. 1640–1650, and currently displayed at the National Gallery. Its dimensions are 73 by 58 cm (29 by 23 in). [1] The painting is a life-size depiction of the Virgin Mary praying in quiet devotion.
The Angelus (French: L'Angélus) is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.. The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
Christ and the Canaanite Woman (1594-1595) by Annibale Carracci Christ and the Canaanite Woman is a 1594-1595 oil on canvas painting by Annibale Carracci , now in the Pinacoteca Stuard in Parma . The work was mentioned by Carlo Cesare Malvasia , who, in Felsina Pittrice , called it "the famous Canaanite Woman .
Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent [1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri) [2] in the Basilica of Saint Peter [3] and taking its theme from Genesis 3:15.
The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.
The Execution of Lady Jane Grey is an oil painting by Paul Delaroche, completed in 1833, which is now in the National Gallery in London. It was enormously popular in the decades after it was painted, but in the 20th century realist historical paintings fell from critical favour and it was kept in storage for many decades, for much of which it was thought lost.
It shows a woman with the pale skin, high cheek bones and oval eyelids typical of the idealised portraits of noble women of the period. [2] She is identifiable as the Magdalen from the jar of ointment placed in the foreground, which is her traditional attribute in Christian art. She is presented as completely absorbed in her reading, a model of ...
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