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Blaise Hamlet is a group of nine small cottages around a green in Henbury, now a district in the north of Bristol, England. All the cottages, and the sundial on the green are Grade I listed buildings. Along with Blaise Castle the Hamlet is listed, Grade II*, on the Register of Historic Parks and Gardens of special historic interest in England. [1]
Blaise Hamlet is a hamlet composed of a group of nine small cottages around a green. It was originally within the estate grounds, but is now separated from the rest of the site by a road. All the cottages, and the sundial on the green are Grade I listed buildings. Nikolaus Pevsner described Blaise Hamlet as "the ne plus ultra of picturesque ...
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John Harford the Elder had a plain but substantial house built and asked the landscape architect Humphry Repton to lay out the grounds. Repton became a partner of John Nash, whom Harford commissioned to design a group of cottages, Blaise Hamlet, as homes for his retired servants. Nash created sketches of the cottages, which George Repton built. [6]
An instigator of this style was John Nash, whose most notable work in Bristol is Blaise Hamlet, a complex of small cottages surrounding a green. It was built around 1811, for the retired employees of Quaker banker and philanthropist John Scandrett Harford, who owned Blaise Castle House. The cottages are now owned by the National Trust.
Shaw sketched out the whole design for the "future fairy palace" in a single afternoon, while his client Lord Armstrong and his guests were out on a shooting party. [34] Pevsner noted its derivation from "the Tudor style, both in its stone and its black-and-white versions". [35]
In the 1894 version by Waterhouse, Ophelia is depicted, in the last moments before her death, sitting on a willow branch extending out over a pond of lilies. Her royal dress strongly contrasts with her natural surroundings. Waterhouse has placed flowers on her lap and in her hair, tying her into her natural surroundings. [2]
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