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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Τypographic ornament in ancient city of Kamiros on Rhodes, Greece. Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, [4] on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. [5]
In Indian aesthetics, a rasa (Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an indescribable feeling in the reader or audience. [2]
Ensō (円相) is a Japanese word meaning "circle". It symbolizes the Absolute, enlightenment, strength, elegance, the Universe, and the void; it also may be taken to symbolize the Japanese aesthetic itself. Zen Buddhist calligraphists may "believe that the character of the artist is fully exposed in how she or he draws an ensō.
In the 1990s, NTT DoCoMo released a pager that was aimed at teenagers. The pager was the first of its kind to include the option to send a pictogram as part of the text. [1] [2] The pager only had a single pictogram on its options, which was a heart-shaped pictogram.
The term template, when used in the context of word processing software, refers to a sample document that has already some details in place; those can (that is added/completed, removed or changed, differently from a fill-in-the-blank of the approach as in a form) either by hand or through an automated iterative process, such as with a software assistant.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
The word ẹwà is highly central within the Yoruba culture's aesthetic framework. This word is used to describe beauty and aesthetic quality within Yoruba art and culture at large. Ẹwà is not solely a description of visual beauty; it also encompasses an emotional and spiritual dimension.