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The word canto is derived from the Italian word for "song" or "singing", which comes from the Latin cantus, "song", from the infinitive verb canere, "to sing". [1] [2]In Old Saxon poetry, Old English poetry, and Middle English poetry, the term fitt was sometimes used to denote a section of a long narrative poem, and that term is sometimes used in modern scholarship of this material instead of ...
Bel canto (Italian for 'beautiful singing' / 'beautiful song', Italian: [ˈbɛl ˈkanto])—with several similar constructions (bellezze del canto, bell'arte del canto, pronounced in English as / b ɛ l ˈ k ɑː n t oʊ / ⓘ)—is a term with several meanings that relate to Italian singing.
Oral poetry differs from oral literature in general because oral literature encompasses linguistic registers which are not considered poetry. In most oral literature, poetry is defined by the fact that it conforms to metrical rules; examples of non-poetic oral literature in Western culture include some jokes, speeches and storytelling.
In singing, a controlled swell (i.e. crescendo then diminuendo, on a long held note, especially in Baroque music and in the bel canto period) [2] mesto Mournful, sad meter or metre The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo
Literary Terms and Criticism. Palgrave Macmillan, 2002. ISBN 0-333-96258-3. Edward Quinn. A Dictionary of Literary And Thematic Terms. Checkmark Books, 2006. ISBN 0-8160-6244-7. Lewis Turco. The Book of Literary Terms: The Genres of Fiction, Drama, Nonfiction, Literary Criticism, and Scholarship. Univ. Press of New England, 1999. ISBN 0-87451-955-1
In Old Saxon poetry, Old English poetry, and Middle English poetry, the term fit(t) (Old English: fitt, Middle English fit(t)(e), fyt(t)(e), Old Saxon *fittia) was used to denote a section (or canto) of a long narrative poem, and the term (spelled both as fitt and fit) is still used in modern scholarship to refer to these [1] (though in Old and Middle English the term seems actually to have ...
Dia Dipasupil/Getty Images Before The Tortured Poets Department was ever a glimmer in Taylor Swift’s eye, the singer peppered her music with references to classic literature. As early as 2006 ...
– Canto XXX; Song of Roland – Canto XX: "tant mare fustes/so unlucky were you" quoted from verse XXVII of the French romance; Sordello – Troubadour poet and subject of Robert Browning's long poem of that name. He appears in Dante's Purgatorio. – Canto II – Canto VII: Dante's description of him applied to Henry James – Canto XXXVI [117]