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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
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The precise meaning of mordent has changed over the years. In the Baroque period, a mordent was a lower mordent and an upper mordent was a pralltriller or schneller.In the 19th century, however, the name mordent was generally applied to what is now called the upper mordent, and the lower mordent became known as an inverted mordent.
Tessitura considerations include these factors: proportion of sudden or gradual rises and falls in pitch—speed of pitch changes; the relative number of very high or low notes; whether lines and phrases of music in the piece tend to rise or fall—the muscular abilities of a singer may be more suited to one or the other direction.
A courante rhythm [1]. The courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era.In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude.