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Mythmaker marks the third occasion on which a Skinny Puppy album cover was created by an artist other than long-time collaborator Steven R. Gilmore, though he continues to do the sleeve design and layout for the band. [3] The cover uses a painting by Manuel Ocampo entitled "Why I Hate Europeans", which had been altered for the cover. [3]
Much of the album features extended instrumental passages due to Nivek Ogre's drug addiction preventing him from producing complete vocals [37] The Process: Released: February 27, 1996; Label: American, Warner Bros. Format: CD, cassette; 102 1 — — — 30 48 — Last Skinny Puppy album to feature contributions from Goettel (died in 1995) [3 ...
The band released a music video for the song "Pro-test" directed by long-time collaborator William Morrison. The video depicts a rivalry between two groups of breakdancers and was inspired by Morrison's previous video work documenting the dance style. [9] The album was re-released by Metropolis Records on January 28, 2014. [28]
Frances Litman of the Times Colonist panned the album, apologizing to Skinny Puppy fans before saying "how this noise can be classified as music is beyond me". [ 26 ] In 1987, Melody Maker named the album the 11th best album of the year, describing the album as a "desolate, crackling chunk of rust encrusted machinery tacked with bolts ...
VIVIsectVI (pronounced "vivisect six") is the fourth studio album by Canadian electro-industrial band Skinny Puppy. It was released on September 12, 1988 through Nettwerk . Despite tackling controversial topics like animal rights , chemical warfare , and environmental waste , VIVIsectVI was well-received.
Ain't it Dead Yet? is a recording of Canadian electronic group Skinny Puppy's performance at the Toronto Concert Hall on May 31, 1987, during their Cleanse Fold and Manipulate Tour. It was released as an album in 1989. [2] The film was showcased at the South by Southwest festival on March 18, 1989. [3]
Remission & Bites is a compilation by Skinny Puppy released on Play It Again Sam in 1987. [1] The release of this compilation coincides with that of Bites and Remission and contains many of the same songs, albeit in a different context. This release is, to date, the only CD pressing of Skinny Puppy's first two albums in their original form.
Last Rights is the seventh studio album by Canadian electro-industrial band Skinny Puppy. It was released in March 1992 as the group's final record distributed through Nettwerk . Last Rights saw the band experimenting with two opposite extremes: cacophonous heavy music and gloomy melodies, resulting in moments of industrial weight as well as ...