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  2. Aestheticization of politics - Wikipedia

    en.wikipedia.org/wiki/Aestheticization_of_politics

    Benjamin said that fascism tends towards an aestheticization of politics, in the sense of a spectacle in which it allows the masses to express themselves without seeing their rights recognized, and without affecting the relations of ownership which the proletarian masses aim to eliminate. [2]

  3. File:Politics and administration; a study in government (IA ...

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  4. Aestheticization - Wikipedia

    en.wikipedia.org/wiki/Aestheticization

    Download QR code; Print/export Download as PDF; Printable version; In other projects ... Aestheticization or Aestheticisation can refer to: Aestheticization of ...

  5. Politicisation - Wikipedia

    en.wikipedia.org/wiki/Politicisation

    Politicisation (also politicization; see English spelling differences) is a concept in political science and theory used to explain how ideas, entities or collections of facts are given a political tone or character, and are consequently assigned to the ideas and strategies of a particular group or party, thus becoming the subject of contestation.

  6. File:Pulpit politics (IA pulpitpolitics00chri).pdf - Wikipedia

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  7. Aestheticism - Wikipedia

    en.wikipedia.org/wiki/Aestheticism

    Aestheticism has its roots in German Romanticism.Though the term "aesthetic" derives from Greek, Alexander Gottlieb Baumgarten's Aesthetica (1750) made important use of it in German before Immanuel Kant incorporated it into his philosophy in the Critique of Judgment (1790).

  8. Aesthetic Theory - Wikipedia

    en.wikipedia.org/wiki/Aesthetic_Theory

    Adorno retraces the historical evolution of art [2] into its paradoxical state of "semi-autonomy" within capitalist modernity, considering the socio-political implications of this progression. Some critics have described the work as Adorno's magnum opus and ranked it among the most important pieces on aesthetics published in the 20th century.

  9. Violence in art - Wikipedia

    en.wikipedia.org/wiki/Violence_in_art

    [10] Writing in The New York Times, Dwight Garner reviews the controversy and moral panic surrounding the 1991 novel and 2000 film American Psycho. Garner concludes that the film was a "coal-black satire" in which "dire comedy mixes with Grand Guignol. There's demented opera in some of its scenes."

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