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The School of Seville loosely defines the artists that were active in Seville, Spain, or were trained there by painters in the 16th and 17th centuries. During this time, Seville was enriched by the trade with the West Indies. The most prominent painter to emerge from Seville, was Bartolome Esteban Murillo, who
The subject of the painting is the waterseller, a common trade for the lower classes in Velázquez's Seville.The jars and victuals recall bodegón paintings. The seller has two customers: a young boy, possibly painted from the same model as used for the boys in The Lunch and Old Woman Cooking Eggs, and a young man in the background shadows, (time has caused him to fade somewhat; he is clearer ...
Daniel Vázquez Díaz, Eugenio Hermoso, Ricardo López Cabrera, Manuel González Santos and Sanz Arizmendi were his pupils during this time in Seville. In the last decade of the nineteenth century he frequented the Alcala de Guadaíra circle of landscape painters, leaving this genre some examples of "grand master" works (according to Sorolla).
Murillo began his art studies in Seville in the workshop of Juan del Castillo, Murillo's uncle and godfather, as well a skilled painter in his own right. [3] Castillo was characterized by the dryness of his sketches and the loving expressions in the subjects he painted, and Murillo took much of this as inspiration in his early work.
The Museum of Fine Arts of Seville (Spanish: Museo de Bellas Artes de Sevilla) is a museum in Seville, Spain, a collection of mainly Spanish visual arts from the medieval period to the early 20th century, including a choice selection of works by artists from the so-called Golden Age of Sevillian painting during the 17th century, such as Murillo, Zurbarán, Francisco de Herrera the younger, and ...
Manuel García y Rodríguez (1863, Seville - 6 May 1925, Seville) was a Spanish costumbrista and landscape painter, who also painted Orientalist scenes. Biography [ edit ]
The revised view is that the painter Juan de Roelas was not a native of Seville, but was a native of Flanders. The documentary evidence for this was found in two notarial documents which show the presence of a Flemish painter named Juan de Flandes, along with his father, in Valladolid in 1594 (the accepted opinion placed the painter's presence ...
José Villegas Cordero (26 August 1844, Seville – 9 November 1921, Madrid) was a Spanish painter of historical, genre and costumbrista scenes. Early life
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