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ATL is a 2006 American coming-of-age comedy-drama film, and the feature film directorial debut of music video director Chris Robinson.The screenplay was written by Tina Gordon Chism from an original story by Antwone Fisher, and is loosely based on the experiences of the film's producers Dallas Austin and Tionne "T-Boz" Watkins growing up in Atlanta, Georgia (ATL). [2]
Ruben Bailey (born September 27, 1969, Atlanta, Georgia), professionally known by his stage name Big Rube, is an American spoken word artist, rapper and hip hop producer. He is a first-generation member of the Dungeon Family and of Society of Soul. [1]
Fisher has written and directed other films, including a documentary, This Life of Mine: The Story of Leon T. Garr, a short film, "My Summer Friend", starring Michael T. Williams, [5] [6] and was a co-writer of the 2006 American drama ATL.
After years of disrespect from the East and West coast music scenes, Atlanta's rap and hip-hop artists broke out in the mid-1990s.
The poem is quoted several times, by various characters, in Francis Ford Coppola's Apocalypse Now (1979). [1] [2]The film I've Heard the Mermaids Singing (1987) directed by Patricia Rozema takes its title from a line in the poem, as do the films Eat the Peach (1986), directed by Peter Ormrod, and Till Human Voices Wake Us (2002), directed by Michael Petroni.
"The Goof Who Sat By the Door" is the eighth episode of the fourth season of the American comedy-drama television series Atlanta. It is the 39th overall episode of the series and was written by supervising producer Francesca Sloane and Karen Joseph Adcock, and the final episode directed by series creator and lead actor Donald Glover.
Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
The film-poem (also called the poetic avant-garde film, verse-film or verse-documentary or film poem without the hyphen) [1] is a label first applied to American avant-garde films released after World War II. [2] During this time, the relationship between film and poetry was debated.