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15th-century rood screen from the chapel of St Fiacre at Le Faouet Morbihan, France, including the two thieves on either side of Christ Usual location of a rood screen. The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture.
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More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem The Dream of the Rood. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" in Shakespeare's Hamlet (Act 3, Scene 4).
Lazarus LCL (for Pascal, Object Pascal and Delphi via Free Pascal compiler), a class library wrapping GTK+ 1.2–2.x, and the Windows API (Carbon, Windows CE and Qt4 support are all in development). fpGUI is created with the Free Pascal compiler. It doesn't rely on any large 3rdParty libraries and currently runs on Linux, Windows, Windows CE ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
In US usage, a loft is an upper room or storey in a building, mainly in a barn, directly under the roof, used for storage (as in most private houses).In this sense it is roughly synonymous with attic, the major difference being that an attic typically constitutes an entire floor of the building, while a loft covers only a few rooms, leaving one or more sides open to the lower floor.
In video games using procedural world generation, the map seed is a (relatively) short number or text string which is used to procedurally create the game world ("map"). "). This means that while the seed-unique generated map may be many megabytes in size (often generated incrementally and virtually unlimited in potential size), it is possible to reset to the unmodified map, or the unmodified ...
Ranworth's rood screen survived the iconoclasm of the English Reformation. It is relatively well-preserved, but the loft parapet above the screen has not survived. Drawings of it were made in 1839 by Harriet Gunn, and it was described in detail in the 1870s. The panels at Ranworth were restored by Pauline Plummer during the 1960s and 1970s.