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Tonight We Improvise (Italian: Questa sera si recita a soggetto [ˈkwesta ˈseːra si ˈrɛːtʃita a ssodˈdʒɛtto]) is a play by Luigi Pirandello. [1] Like his plays Six Characters in Search of an Author and Each In His Own Way, it forms part of his "trilogy of the theatre in the theatre."
Peppino Gagliardi (25 May 1940 – 9 August 2023) was an Italian singer who was best known for his musical hits titled “Che Vuole Questa Musica Stasera” and “Come le Viole” which have been featured in many films and have remained popular in Italy. His music remains popular throughout Italy, most notably in Rome. [1]
"El día que me quieras" (English: The day that you love me) is an Argentine tango with music by Carlos Gardel and lyrics by Alfredo Le Pera. It is considered one of the most popular songs of the 20th century and one of the best Latin songs of all time. [1]
Some of the other works he drew on for inspiration include Lewis Carroll's Alice books, Jorge Luis Borges' Ficciones, Arthur Machen's The Great God Pan and The White People, Lord Dunsany's The Blessing of Pan, Algernon Blackwood's Pan's Garden and Francisco Goya's works. In 2004, del Toro said: "Pan is an original story. Some of my favourite ...
Hermes Pan (born Hermes Joseph Panagiotopoulos, December 10, 1909 [1] – September 19, 1990) was an American dancer and choreographer, principally remembered as Fred Astaire's choreographic collaborator on the famous 1930s movie musicals starring Astaire and Ginger Rogers. He worked on nearly two dozen films and TV shows with Astaire.
Armiamoci e partite! (Italian for "Let [us] arm ourselves and [you] go!") is a 1971 war comedy film directed by Nando Cicero and starring the comic duo Franco and Ciccio . [ 1 ] [ 2 ] [ 3 ]
People-Animals-Nature is commonly described as an environmentalist party. [3] [6] [16] [17] It has been described as becoming "known for fighting for animal rights", "fights against cruelty to animals", [7] and as having an "animalist" ideology. [6]
The Education of Pan is a lost c.1490 tempera on canvas painting by Luca Signorelli. It was in the Kaiser-Friedrich-Museum in Berlin but was moved to the Flakturm Friedrichshain during the Second World War. There it was destroyed in a fire in May 1945 just after the end of the war.