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Following the banter, the entire circle performs the variation, and then resumes the basic dance step. The banter and most variations take up four measures of the music. This means that the leader can choose to call a new variation during the execution of the current variation; if this occurs, the dancers execute the next variation without ...
The tunes of the ballads are in sixth bars and accompanied by a rhythmical, monotonous stamping of the feet. The most common version of the dance is the “stígingarstev” [stamping dance step]. This consists of the dancers slowly moving to their left, with six dance steps between the bars: Left foot makes a step forward (to the left)
The second half of the six-count pattern begins with a small leaping step (count 4) along the line of dance, so the leader faces forward on the line of dance. The left leg now reaches straight forward (count 5; pointing left toe, bending right knee, etc.), directly under the partner's right leg, which is extended back.
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
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Hence literally Chavittu Nadakam means 'Stamping Drama'. Great stress is laid on the step, which goes in harmony with the songs. In these art forms there is a great importance for dance and art. Foot stamping dance, fighting and fencing are the essential part of Chavittunadakam. Royal dresses and ornamental costumes are necessary.
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The dance was simplified into a pattern of three-quick-steps forward, one-step-backward, pause and repeat. This version of the dance incorporated socialist elements, for example the leader of the dance group would hold a sickle instead of umbrella, and it is also known as "Struggle Yangge" (斗争秧歌; Dòuzhēng yānggē) or "reform yangge".
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