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John Barrymore imprinted the side of his face, a nod to his nickname "The Great Profile". [2] Roy Rogers, in addition to having his horse Trigger's hoofprints next to his, imprinted his revolver. [3] Mel Brooks wore a prosthetic sixth finger. [4] Eleanor Powell imprinted a pair of her tap shoes. [5] Jimmy Durante imprinted his nose. [6] [7]
[1] [2] The art histories of Asia and Europe are greatly intertwined, with Asian art greatly influencing European art, and vice versa; the cultures mixed through methods such as the Silk Road transmission of art, the cultural exchange of the Age of Discovery and colonization, and through the internet and modern globalization.
Ukiyo-e images were almost exclusively images of urban life; the vast majority that were not landscapes were devoted to depicting courtesans, sumo, or kabuki. Realistic detail, inscriptions, the availability of playbills from the period, and a number of other resources have allowed many prints to be analyzed and identified in great detail.
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The years of 1990–2000 were times for the establishment of contemporary arts. In the region, many important international exhibitions are taking place, Central Asian art is represented in European and American museums, and the Central Asian Pavilion at the Venice Biennale has been organized since 2005.
Once the publisher, Nishimura, was sure of the series' success, prints were made with multiple colours . Nishimura had planned to expand the series to more than a hundred prints, but publication stopped at forty-six. [6] The most famous single image from the series is widely known in English as The Great Wave off Kanagawa. It is Hokusai's most ...
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A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...