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"Ukulele Lesson" 78 rpm disc label. Breen is credited with convincing publishers to include ukulele chords on their sheet music. The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6] Her name appears as a music arranger on more pieces than any other individual. [7]
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Slack key compositions exhibit characteristics from indigenous Hawaiian and imported musical traditions. The vamp or turnaround (a repeated figure, usually at the end of a verse) is descended from the hula tradition, and other harmonic and structural features are descended from hīmeni and from the hula kuʻi encouraged by King David Kalakaua. [10]
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Refers to chords containing the thirteenth note of a scale, which is the sixth scale degree up an octave (e.g. an A note added to a C7 chord). Thirteenths are mostly used on dominant chords and major chords, and to a lesser degree, minor chords.
The Ukulele Orchestra of Great Britain (UOGB) was formed in London in 1985 when the multi-instrumentalist and musicologist George Hinchliffe gave his friend the post-punk singer Kitty Lux a ukulele for her birthday, after she had expressed an interest in learning more about harmony.
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.