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The Sinister Secret of Saltmarsh can be played by five to ten characters of 1st–3rd levels. The module includes optional pre-generated first level characters for use by the players. [1] The scenario is the first of the Underwater (U) series of modules set in Saltmarsh, and details a ghostly ship and the haunted mansion of an evil alchemist. [2]
The Sinister Secret of Saltmarsh (1981) Danger at Dunwater (1982) Salvage Operation (2005) Isle of the Abbey (1992) The Final Enemy (1983) Tammeraut’s Fate (2004) The Styes (2005) Additionally, the book contains rules for ship-to-ship combat, character backgrounds and includes details on the port town of Saltmarsh which anchors each adventure ...
[3] [4] It is the second module in the "Saltmarsh" series. [2] The second of three related adventures in an underwater campaign set in the town of Saltmarsh, the module is a sequel to U1 – The Sinister Secret of Saltmarsh and is followed by U3 – The Final Enemy, which concludes the series.
[8]: 13 In his role as managing director of TSR UK Ltd. he oversaw the publication of a range of titles, including his own "Underwater" modules in conjunction with Dave J. Browne: The Sinister Secret of Saltmarsh, Danger at Dunwater, and The Final Enemy. These have been described as having "Probably one of the best storylines of any module series."
This is the category of modules or adventures taking place in, or featuring characters of, the World of Greyhawk campaign setting for the Dungeons & Dragons role-playing game.
The Final Enemy is an underwater adventure in which the player characters attack the lair of a species of fish-like monstrous humanoids called sahuagin. [2] After identifying the evil creatures, which have massed in force and organized as a threat to the village of Saltmarsh, the player characters have the opportunity to thwart the creatures' plans and ensure the safety of the little town.
Cliff Ramshaw reviewed Elminster's Ecologies Appendix II: The High Moor / The Serpent Hills for Arcane magazine, rating it a 5 out of 10 overall. [1] Ramshaw complains that the two NPC personalities are "enforced on the text" with "crudity", which "makes it heavy going in places, but no less informative for that". [1]
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