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Chinese traditional furniture technology developed to the Yongzheng and Qianlong periods of the Qing dynasty, forming a Qing style school different from Ming style furniture. The Qing dynasty experienced the Kangxi, Yongzheng and Qianlong periods, and there was a luxurious and decadent trend of blindly pursuing richness, luxury, and red tape in ...
As British-Chinese relations stabilized towards the end of the 19th century, there was a revival of interest in chinoiserie. Prince Albert, for example, reallocated many chinoiserie works from George IV's Royal Pavilion at Brighton to the more accessible Buckingham Palace. Chinoiserie served to remind Britain of its former colonial glory that ...
An exported white silk Chinese shawl, made for the Western market, early 20th century. Chinese shawls were popular among European elite style leaders in the early 20th century. However, in a report dating to 1921 written by Vogue, it was referred as Spanish shawls, and readers were informed that these shawls were imported from Venice, Spain ...
Qun (Chinese: 裙; pinyin: qún; Jyutping: kwan4; lit. 'skirt'), referred as chang (Chinese: 裳; pinyin: cháng) prior to the Han dynasty, [1] chang (Chinese: 常) and xiachang (Chinese: 下常), [2] and sometimes referred as an apron, [3] is a generic term which refers to the Chinese skirts used in Hanfu, especially those worn as part of ruqun, and in Chinese opera costume.
The Shanghai School (Chinese: 海上画派; pinyin: Hǎishàng Huàpài) is a style of Chinese art present in the late 19th century and centered in Shanghai.Late 19th century China, or the last years of the Qing dynasty formed a tumultuous time in China's history.
Antique Tian-tsui (Kingfisher feather) hair pins. 19th century. Chinese Qing kingfisher feather tiara, circa 1851-1861AD. Tian-tsui (Chinese traditional: 點翠, Chinese simplified: 点翠, pinyin: diǎncuì, "dotting with kingfishers") is a style of Chinese art featuring kingfisher feathers. For 2,000 years, the Chinese have been using the ...
Chinese clothing, including ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [1]
Tong lau or ke lau are tenement buildings built from the late 19th century to the 1960s in Hong Kong, Taiwan, Southern China, and Southeast Asia. Designed for both residential and commercial uses, they are similar in style and function to the shophouses with five-foot way (Min Nan Chinese: têng-á-kha) of Southeast Asia.
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