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Mucilage mixed with water has been used as a glue, especially for bonding paper items such as labels, postage stamps, and envelope flaps. [7] Differing types and varying strengths of mucilage can also be used for other adhesive applications, including gluing labels to metal cans, wood to china, and leather to pasteboard. [8]
Photographic emulsion is a light-sensitive colloid used in film-based photography. Most commonly, in silver-gelatin photography, it consists of silver halide crystals dispersed in gelatin. The emulsion is usually coated onto a substrate of glass, films (of cellulose nitrate, cellulose acetate or polyester), paper, or fabric.
العربية; বাংলা; Беларуская; Беларуская (тарашкевіца) Bosanski; Чӑвашла; Čeština; Español; Esperanto
Hand-colouring with watercolours requires the use of a medium to prevent the colours from drying with a dull and lifeless finish. Before the paint can be applied, the surface of the print must be primed so that the colours are not repelled. This often includes prepping the print with a thin coating of shellac, then adding grit before colouring ...
Emerson Burkhart was born on a farm in Union Township near Kalida, Ohio in 1905. After attending Ohio Wesleyan University in Delaware, Ohio, Burkhart moved to Provincetown on Cape Cod, studying with artist Charles Hawthorne. By 1931, Burkhart moved to Columbus to teach at the Ohio School of Art.
In colour and chromogenic black-and-white photography, a similar development process is used except that the reduction of silver simultaneously oxidizes the paraphenylene colour developing agent which then takes part in the production of dye-stuffs in the emulsion by reacting with the appropriate couplers. There are three distinct processes ...
Some metals, such as platinum or gold, can protect the image. Others, such as iron (blue toner) or copper (red toner), may reduce the life of the image. [citation needed] Metal-replacement toning with gold alone results in a blue-black tone. It is often combined with a sepia toner to produce a more attractive orange-red tone.
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903