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Roots to Branches is the 19th studio album by the British band Jethro Tull released in September 1995. It carries characteristics of Tull's classic 1970s progressive rock and folk rock roots alongside jazz and Arabic and Indian influences. All songs were written by Ian Anderson and recorded at his home studio.
This Was is the debut studio album by the British rock band Jethro Tull, released in October 1968.Recorded at a cost of £1200, it is the only Jethro Tull album with guitarist Mick Abrahams, who was a major influence for the sound and music style of the band's first songs.
[3] [4] Apparently, he did not like the name 'Jethro Tull'. [1] "Sunshine Day" was written by Mick Abrahams, who joined the band in late 1967. The composers of "Aeroplane" were Ian Anderson and "Len Barnard", the latter a pseudonym for Tull bass player Glenn Cornick (born Glenn Douglas Barnard Cornick). The release sold close to one hundred ...
A Passion Play is the sixth studio album by British progressive rock band Jethro Tull, released in July 1973 in both the UK and US.Following in the same style as the band's previous album Thick as a Brick (1972), A Passion Play is a concept album comprising individual songs arranged into a single continuous piece of music (which was split into two parts across the original vinyl release's two ...
Nightcap: The Unreleased Masters 1973–1991 is a double compilation album by British rock band Jethro Tull, released on 22 November 1993.It contains much of the band's previously unreleased material.
The only members of Tull to appear on both Stormwatch (1979) and A (1980) are Ian Anderson and Martin Barre. This is also bassist Dave Pegg's first appearance on a Tull studio recording, but he had become a member of the band during the Stormwatch tour in 1979, replacing the deceased Glascock. Conflicting reasons have been given for the line-up ...
[15] Eric Senich of WRKI ranked the song the seventh best Jethro Tull song, writing, "Ian Anderson has admitted to writing this song with the sole purpose of creating a hit single. A very "un-Tull" like thing to do but, hey, if you're gonna write a pop song and it ends up sounding like this you can write all the pop songs you want Ian!"
Jethro Tull used the first eight bars of the piece as the basis for the song "Bourée", from their 1969 album Stand Up. [9] Like many Jethro Tull songs, it prominently features Ian Anderson's flute playing. The song also includes a bass guitar solo, played by Glenn Cornick on the original recording.