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Some can be as small a range as 2 + 1 ⁄ 2 octaves but concert xylophones are typically 3 + 1 ⁄ 2 or 4 octaves. Like the glockenspiel, the xylophone is a transposing instrument: its parts are written one octave below the sounding notes. [5] Concert xylophones have tube resonators below the bars to enhance the tone and sustain. Frames are ...
A gabbang consists of a set of trapezoidal bamboo bars of increasing length resting on a resonator. [2] The number of bars varies with the group that made them: Among Yakans, the number ranges from three to nine bamboo bars, but the common agung gabbang has five; among Tausugs, the number ranges from 14 to 22 bamboo bars, but the common gabbang has 12; and in Palawan, the common gabbang has five.
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J. C. Deagan, Inc. is a former musical instrument manufacturing company that developed and produced instruments from the late 19th- to mid-20th century. It was founded in 1880 by John Calhoun Deagan and initially manufactured glockenspiels.
Arthur Hunt Lyman (February 2, 1932 – February 24, 2002) was a Hawaiian jazz vibraphone and marimba player. His group popularized a style of faux-Polynesian music during the 1950s and 1960s which later became known as exotica.
Xylorimba, range C3-C8. The xylorimba (sometimes referred to as xylo-marimba or marimba-xylophone) is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter.
The pattala (Burmese: ပတ္တလား patta.la:, Burmese pronunciation:; Mon: ဗာတ် ကလာ) is a Burmese xylophone, consisting of 24 bamboo slats called ywet (ရွက်) or asan (အဆံ) suspended over a boat-shaped resonating chamber. [1] [2] It is played with two padded mallets.
In addition to voice, a range of instruments are used, including the Amadinda, the Akadinda xylophones, the Ennanga harp, the Etongoli lyre, drums, and the Kadongo (plural "budongo") lamellophone. Amadinda, akadinda, ennanga, and entongoli, as well as several types of drums, are used in the courtly music of the Kabaka, the king of Buganda. The ...
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