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Earlene Fowler (born 1954) is an American novelist and the author of a number of mystery novels set in the fictional Californian city of San Celina. She was raised in La Puente, California. [2] Earlene has written 15 books in the Benni Harper series of mysteries.
Benni Harper is a folk art museum curator and amateur detective in San Celina, California in a book series by American writer Earlene Fowler begun 1994. [12] Nikki Harper is a realtor in Hollywood who becomes an amateur sleuth to help a friend in trouble, in The Bad Always Die Twice by Cheryl Crane.
The Harper Connelly Mysteries is a series of fantasy mystery novels written by Charlaine Harris, and first published in 2005.Harris is known best for penning The Southern Vampire Mysteries (also referred to as the True Blood Series), a series rich in supernatural characters such as vampires, telepaths, werewolves, shapeshifters and fairies; she has also written more traditional (non-paranormal ...
James Pendrick (portrayed by Peter Stebbings) [11] and his wife Sally (portrayed by Kate Greenhouse) are the owners of the tallest building in Toronto; at 11 stories tall, it is quite a view. The Pendricks are advocates of eugenics. James is an engineer and inventor.
Benn was born on September 5, 1949, in New York City, New York to parents Harold Joseph and Gertrude Ross Benn.He grew up in Southington, Connecticut.After graduation from Southington High School in 1967 Benn attended the University of Connecticut, where he earned a bachelor's degree.
Sarah Keate is a single nurse, middle-aged or perhaps younger, who sometimes works in hospitals and sometimes in the homes of patients. In some of the stories, she works with detective Lance O'Leary. As an amateur sleuth, Keate gets involved in situations that are "closed community" mysteries, with a finite number of potential suspects.
There’s a scene in “The Order,” a riveting and explosive docudrama about the dawn of the modern American white-supremacist movement in the 1980s, that creeps you out in a very eye-opening way.
Watt is characterised by an almost hypnotic use of repetition, extreme deadpan philosophical humour, deliberately unidiomatic English such as Watt's "facultative" tram stop, and such items as a frogs' chorus, a notated mixed choir, and heavy use of ellipsis towards the end of the text. The final words of the novel are "no symbols where none ...