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The majority of 35 mm film systems, cameras, telecine equipment, optical printers, or projectors, are configured to accommodate the 4-perf system; each frame of 35 mm is 4 perforations long. 4-perf was (and remains) the traditional system, and the majority of projectors are based on 4-perf, because 4 perforations is the amount needed per frame vertically in order to have enough negative space ...
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One ...
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
Tri-X was released in 35 mm and 120 formats in 1954. Currently it is available in two speeds, ISO 320/26° (320TXP) and 400/27° (400TX). Tri-X 400 is the more common of the two, available in 24- and 36-exposure rolls of 35 mm and rolls of 120 as well as 50 and 100 ft bulk rolls of 35 mm. Tri-X 320 is available in 4×5", 5×7", and 8×10" sheets.
Subminiature — "very much reduced in size", Oxford English Dictionary. A subminiature camera is a class of camera that is very much smaller than a "miniature camera". The term "miniature camera" was originally used to describe cameras using the 35 mm cine film as negative material for still photography; [1] so cameras that used film smaller than 35mm were referred to as "sub-miniat
DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926. [3] [4]Rapid X Reversal Pan (discontinued) The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
Eastman Kodak introduced their first 35mm color negative stock, Eastman Color Negative film 5247, in 1950. [9] A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.
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