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"Don't Cry for Me Argentina" is a song recorded by Julie Covington for the 1976 concept album Evita, later included in the 1978 musical of the same name. The song was written and composed by Andrew Lloyd Webber and Tim Rice while they were researching the life of Argentine leader Eva Perón .
Julie Covington (born 11 September 1946) is an English singer and actress, best known for recording the original version of "Don't Cry for Me Argentina", [1] which she sang on the 1976 concept album Evita.
"Don't Cry for Me" is a song recorded by British singer, songwriter and actress Lisa Stansfield for her 1997 eponymous album. It was written by Stansfield, Ian Devaney, Cory Rooney and Mark Morales. Originally, the track was produced by Devaney, Rooney and Morales, and further production was handled by Peter Mokran and Devaney.
A further two singles were released from the album: "What If" and "The Sky's the Limit". Derulo's second studio album Future History was released on September 16, 2011. Lead single "Don't Wanna Go Home" preceded its release in May 2011; where it became the artist's second number-one single in the United Kingdom.
"Don't Cry for Me" is a song by Brazilian DJ and record producer Alok, Danish DJ and record producer Martin Jensen, with vocals from American singer Jason Derulo. It was released as a single on July 10, 2020, by Virgin Records. [1] [2] The song was written by Derulo, Richard Boardman, Pablo Bowman, Alok, David Strääf, Ohyes and James Blount.
The Ultimate Collection is a compilation album by Welsh mezzo-soprano Katherine ... "Don't Cry for Me Argentina" (from the musical Evita) Andrew Lloyd Webber: 6:17:
"No Llores Por Mí" (English: Don't Cry for Me) is the fourth single released by Spanish singer-songwriter Enrique Iglesias from his eponymous debut studio album Enrique Iglesias (1995), It was released by Fonovisa on 6 May 1996 (see 1996 in music).
"Don't Cry for Me Argentina" was released as the second single from the album on December 16, 1996. [36] A separate version called the "Miami Mix", which included re-recorded vocals in English and Spanish and an Argentinean bandoneon in the song's intro, was promoted to radio. [25]