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In a Gullah context, the flying Africans are associated with Hoodoo spirituality, and sometimes perform their ascension through a ritual like a ring shout.Gullah lore also associates flying Africans with a magical iron hoe that works by itself, and a never-empty pot that they leave behind, [6] [7] perhaps relating to the influence of the Yoruba deity Ogun on Hoodoo.
Stencil art at Carnarvon Gorge, which may be memorials, signs from or appeals to totemic ancestors or records of Dreaming stories [1]. The Dreaming, also referred to as Dreamtime, is a term devised by early anthropologists to refer to a religio-cultural worldview attributed to Australian Aboriginal mythology.
In the modern context, an Aboriginal person cannot relate or paint someone else's dreaming or creation story without prior permission of the Dreaming's owner. [citation needed] Someone's dreaming story must be respected, as the individual holds the knowledge to that Dreaming story. Certain behavioural constraints are associated with dreaming ...
4th Gate of Dreaming (sharing): This is the last gate explained in the book as such, and crossing it consists of being able to share the intended dream reality of other people. One has to have gathered enough strength into the dreaming body through the previous gates in order to travel to other people's dreams. [citation needed]
Oneiromancy (from Greek όνειροϛ 'dream' and μαντεία (manteia) 'prophecy') is a form of divination based upon dreams, and also uses dreams to predict the future. Oneirogen plants may also be used to produce or enhance dream-like states of consciousness.
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A youth was hunting in the mountains. An eagle flying above him alighted on top of a crag. The eagle was especially large and had a snake in its beak. After a while, the eagle flew away from the crag where it had its nest. The youth then climbed to the top of the crag where he saw, in the nest, an eaglet playing with the dead snake.