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Examples may be found in Mauricio Kagel's 1993 string quartet Notturno and the cadenza of Giacinto Scelsi's 1965 Anahit. [ 2 ] In the twentieth century, composers have adapted the bariolage idea to other instruments, particularly the trombone, where a constant pitch may be repeated while rapidly changing between different slide positions—a ...
The mordent is thought of as a rapid single alternation between an indicated note, the note above (the upper mordent) or below (the lower mordent) and the indicated note again. In musical notation, the upper mordent is indicated by a short squiggle; the lower mordent is the same with a short vertical line through it: [1]
The trill is frequently found in classical music for all instruments, although it is more easily executed on some than others. For example, while it is relatively easy to produce a trill on the flute, the proper execution on brass instruments requires higher skill and is produced by quickly alternating partials. While playing a trill on the ...
In music, tremolo (Italian pronunciation: [ˈtrɛːmolo]), or tremolando ([tremoˈlando]), is a trembling effect.There are multiple types of tremolo: a rapid repetition of a note, an alternation between two different notes, or a variation in volume.
A rapid alternation between the specified note and the next higher note (determined by key signature) within its duration, also called a "shake". When followed by a wavy horizontal line, this symbol indicates an extended, or running, trill. In music up to the time of Haydn or Mozart the trill begins on the upper auxiliary note. [9]
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
Imbal (Javanese for 'to repeat') [1] or imbalan (imbal-imbalan, demung imbal) is a technique used in Indonesian Javanese gamelan.It refers to a rapid alternation of a melodic line between instruments, in a way similar to hocket in medieval music or kotekan in Balinese gamelan.
Marisa Abela worked with a dialect coach, vocal coach, movement coach, music producer, and guitar tutor to fully inhabit the character. Some of her costumes in the film contain real pieces of ...