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Cape collar: A collar fashioned like a cape and hanging over the shoulders. Chelsea collar: A woman's collar for a low V-neckline, with a stand and long points, popular in the 1960s and 1970s. Clerical collar: A band collar worn as part of clerical clothing. Convertible collar: A collar designed to be worn with the neck button either fastened ...
The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
Ankle-length cloaks with cape-collars to cover slits for the arms were worn in cold or wet weather. Ermine muffs with attached handkerchiefs were worn to keep hands warm and be fashionable. [4] The pelerine was a popular name for wide, capelike collars that extended over the shoulders and covered the upper chest. Sometimes they had layers of ...
Wider bell-shaped or pagoda sleeves were worn over false undersleeves or engageantes of cotton or linen, trimmed in lace, broderie anglaise, or other fancy-work. Separate small collars of lace, tatting, or crochet-work were worn with morning dresses, sometimes with a ribbon bow. Gowns were very low-necked, off-the-shoulder, and had short sleeves.
1862 portrait of Jenny Lind depicts her in a white gown with a wide lace collar. Her hair is parted in the center, rolled or "turned up" at the sides, and decorated with flowers. Vienna fashion plate, showing male and female attire. Carte de visite of Sara Forbes Bonetta, in a dark silk dress.
A piccadill or pickadill is a large broad collar of cut-work lace that became fashionable in the late 16th century and early 17th century. [1] The term is also used for the stiffened supporter or supportasse used to hold such a collar in place. [2] [3]
In appearance the pelisse was characteristically a very short and extremely tight fitting (when worn) jacket, the cuffs and collar of which were trimmed with fur. The jacket was further decorated with patterns sewn in bullion lace, often in a pattern matching that of the dolman worn beneath it.
During the early to mid-1650s, a rather small falling collar was in fashion. This increased in size and encompassed much of the shoulders by 1660. Cravats and jabots around the neck started to be worn during the early 1660s. By the mid-1660s, the collar had disappeared with just the cravat remaining, sometimes tied with a small bow of ribbon.
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