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The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
George Franklin Barber (July 31, 1854 – February 17, 1915) was an American architect known for the house designs he marketed worldwide through mail-order catalogs. Barber was one of the most successful residential architects of the late Victorian period in the United States, [4] and his plans were used for houses in all 50 U.S. states, and in nations as far away as Japan and the Philippines. [4]
MD2 — Design found in Barber's Modern Dwellings and Their Proper Construction (2nd ed., 1899) ART — Design found in Barber's Art In Architecture (c. 1901) MD3 — Design found in Barber & Kluttz's Modern Dwellings: A Book of Practical Designs and Plans for Those who wish to Build or Beautify Their Homes (3rd ed., 1901)
The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations.
Despite their association with the working class and Victorian Britain, terraced houses remain popular. In 2007, a report by Halifax Estate Agents showed prices of terraces had increased by 239% over the previous ten years, with an average price of £125,058. [8] By 2013, the average price for a terraced house had exceeded £200,000. [30]
Tyneside flats may vary in size, usually having one or two bedrooms as the lower flat is made slightly smaller by the staircase to upstairs. Some upper flats use the attic space for additional bedrooms and may have three or four bedrooms, spread over two floors, and usually with a dormer window to the front.
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In larger Victorian houses it was common to have accessible from the bedroom a boudoir for the lady of the house and a dressing room for the gentleman. [2] Attic bedrooms exist in some houses; since they are only separated from the outside air by the roof they are typically cold in winter and may be too hot in summer. The slope of the rafters ...
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