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The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
In Tolkien's legendarium, Elves have a pregnancy that lasts about a year. By the age of 1, Elves can speak, walk and dance. Puberty and full height are attained at around their fiftieth to one hundredth year, when they stop aging physically. [1] Elves marry freely, monogamously, only once, and for love early in life; adultery is unthinkable. [1]
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist 1, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren , and is descended from Melian the Maia , while Earendil is the son of Tuor and Idril .
This picture of increasing separation is analogous to the progressive decline and fall in Middle-earth from its initial perfection, of which the Sundering of the Elves is a major element. [9] In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor ...
The Tolkien scholar John Garth, writing in the New Statesman, notes that it took a century for The Tale of Beren and Lúthien, mirroring the tale of Second Lieutenant Tolkien watching Edith dancing in a woodland glade far from the "animal horror" of the trenches, to reach publication. Garth finds "much to relish", as the tale changes through ...
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Flieger notes that in The Monsters and the Critics Tolkien writes "The human-stories of the elves are doubtless full of the Escape from Deathlessness". [T 15] [11] In her view, this explains the exploration of time in his mythology, death and deathlessness being the "concomitants" of time and timelessness. [11] [d]