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Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
In filmmaking, audio post-production is the creation and manipulation of audio that is synchronized with a moving picture. This includes, but is often distinguished from production audio, which is the audio recorded as filming occurs. Most other aspects of audio for moving pictures occur during the post-production phase, everything is done ...
Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.
The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the ...
A Foley artist at work, dropping a bowling ball onto a hard surface to create a heavy thud.. In filmmaking, Foley [a] is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. [1]
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
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The adoption of sound-on-film also helped movie-industry audio engineers to make rapid advances in the process we now know as multi-tracking, by which multiple separately-recorded audio sources (such as voices, sound effects and background music) can be replayed simultaneously, mixed together, and synchronized with the action on film to create ...
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