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Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. [1] Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music. It is an African-American artform that evolved alongside the advent of jazz music.
The Four Step Brothers were an African-American dance group. The group started out as a trio in 1925, with the original members, Maceo Anderson , Al Williams and Red Walker . [ 1 ] Although their original name was the Step Brothers, because that was also the name of another famous young tap dancing quartet, they subsequently changed their name ...
Tap, with origins in Africa and Europe, was a style that was often seen. [33] A West African dance style called Gioube, a step-style dance, was mixed with Scottish and Irish clog-shoe dances to create tap. [34] Vaudeville saw two types of tap: buck-and-wing and four-four time soft shoe. Buck-and-wing consisted of gliding, sliding, and stomping ...
Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations. Stepping may also draw from elements of gymnastics, break dance, tap dance, march, or African and Caribbean dance, or include stunts as a part of individual routines. The speed of the ...
Ernest "Brownie" Brown (April 25, 1916 – August 21, 2009) was an African American tap dancer and last surviving member of the Original Copasetics.He was the dance partner of Charles "Cookie" Cook, with whom he performed from the days of vaudeville into the 1960s, and of Reginald McLaughlin, also known as "Reggio the Hoofer," from 1996 until Brown's death in 2009.
The combination of African foot stomping, Irish step and his lengthy experience contributes to the world of tap dancing. Reginald "The Hoofer" McLaughlin performed in various theatre shows and he worked with the pioneers of tap dance. As a principal tap dancer he was seen in two Duke Ellington musicals: Jump for Joy and Beggar's Holiday.
tap: tap the ball or pad of the foot against the floor, use your ankle not your whole leg. heel tap: strike the heel of the foot on the floor and release it immediately. step: place the ball of the foot on the floor with a change of weight. touch: place the ball of the foot on the floor without change of weight.
Portrait of Boz's Juba from an 1848 London playbill. Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white minstrel group.