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The Miller and the Sweep is a 1898 British short black-and-white silent comedy film, directed by George Albert Smith, featuring a miller carrying a bag of flour fighting with a chimney sweep carrying a bag of soot in front of a windmill, before a crowd comes and chases them away. The film, according to Michael Brooke of BFI Screenonline, "was ...
"Step in Time" appears in the 2004 Mary Poppins stage musical, with a similar purpose.The main difference, however, is that Bert walks upside down on the proscenium arch.In this version of the song, Jane and Michael are shown that chimney sweeps are also guardian angels.
Collins Colour Cubs also published four children's books based on the movie; Tom the Little Chimney Sweep, Tom Becomes A Water-Baby, Tom in The Undersea World and Tom and Ellie. [11] [12] [13] In addition a novelization of the movie was published the same year as an Armada paperback (ISBN 0006914357, 9780006914358).
Copy L of "The Chimney Sweeper" in Songs of Innocence currently held by the Yale Center for British Art [1] Songs of Innocence and of Experience, copy L, 1795 (Yale Center for British Art) object 41 The Chimney Sweeper "The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in Songs of Innocence in 1789 and Songs ...
"The shepherdess and the chimney sweep", loosely based on the fairy-tale of the same name by Hans Christian Andersen), the film was a collaboration between Grimault and popular French poet and screenwriter Jacques Prévert. However, the film suddenly stopped production and was released unfinished by its producer in 1952, without the approval of ...
Had a job as a chimney sweeper, He had the dope habit and he had it bad, Listen while I tell you about a dream he had, He went down to the dope shop one Saturday night, He knew the lights would all be burning bright, Well I guess he smoked a dozen pills or more, When he woke up he was on a foreign shore, The Queen of Sheba was the first he met,
Thus, The Chimney Sweep is a bricolage, combining Méliès's sense of fantasy with the dramatic, realist tone of popular Pathé films, possibly with a young audience in mind. [3] The chase at the end of the film also suggests Méliès's attempts to keep up with the times, as chase films had become a popular trend.
Der Rauchfangkehrer, oder Die Unentbehrlichen Verräther ihrer Herrschaften aus Eigennutz (The Chimney Sweep, or The Indispensable Betrayers of Their Lordships out of Self-interest) is an opera in three acts by Antonio Salieri to a German libretto by Leopold Auenbrugger.