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1898 illustration of abacuses of many capitals in various styles. In architecture, an abacus (from the Ancient Greek ἄβαξ (ábax), ' slab '; or French abaque, tailloir; pl.: abacuses or abaci) [1] is a flat slab forming the uppermost member or division of the capital of a column, above the bell.
Abacus-based mental calculation (AMC), which was derived from the abacus, is the act of performing calculations, including addition, subtraction, multiplication, and division, in the mind by manipulating an imagined abacus. It is a high-level cognitive skill that runs calculations with an effective algorithm.
Tesserae of a mosaic of doves drinking at a golden basin, 1st century AD, National Archaeological Museum, Naples, Italy A tessera (plural: tesserae, diminutive tessella) is an individual tile, usually formed in the shape of a square, used in creating a mosaic.
Ancient Greek fleuron as an anthemion (Greek word for flower), c. 350 –325 BC, marble, Metropolitan Museum of Art, New York City Ancient Greek Corinthian capital with a fleuron on the abacus , from the tholos at Epidaurus , said to have been designed by Polyclitus the Younger , c. 350 BC, stone, Archaeological Museum of Epidaurus , Greece [ 3 ]
Entablatures at Caesarea Maritima Entablature at the Temple of Venus Genetrix, Rome. An entablature (/ ɛ n ˈ t æ b l ə tʃ ər /; nativization of Italian intavolatura, from in "in" and tavola "table") [1] is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals.
The two earliest Egyptian capitals of importance are those based on the lotus and papyrus plants respectively, and these, with the palm tree capital, were the chief types employed by the Egyptians, until under the Ptolemies in the 3rd to 1st centuries BC, various other river plants were also employed, and the conventional lotus capital went through various modifications.
Five groups of markings appear on the tablet. The three sets of Greek symbols arranged along the left, right and bottom edges of the tablet are numbers from the acrophonic system. In the center of the tablet – a set of five parallel lines equally divided by a vertical line, capped with a semicircle at the intersection of the bottom-most ...
The book describes methods of doing calculations without aid of an abacus, and as Ore (1948) confirms, for centuries after its publication the algorismists (followers of the style of calculation demonstrated in Liber Abaci) remained in conflict with the abacists (traditionalists who continued to use the abacus in conjunction with Roman numerals).