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"Chicago" is a poem by Carl Sandburg about the city of Chicago that became his adopted home. It first appeared in Poetry , March 1914, the first of nine poems collectively titled "Chicago Poems". It was republished in 1916 in Sandburg's first mainstream collection of poems, also titled Chicago Poems .
Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems , and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
Much of Carl Sandburg's poetry, such as "Chicago", focused on Chicago, Illinois, where he spent time as a reporter for the Chicago Daily News and The Day Book. His most famous description of the city is as "Hog Butcher for the World/Tool Maker, Stacker of Wheat/Player with Railroads and the Nation's Freight Handler,/Stormy, Husky, Brawling ...
The World of Carl Sandburg was a stage presentation of selections from the poetry and prose of Carl Sandburg, chosen and arranged by Norman Corwin, starring Bette Davis. There was a 21-week national tour 1959–1960, co-starring Davis's husband Gary Merrill , towards the end, he was replaced by Barry Sullivan .
Initially greeted with scorn by critics and newspaper editors in the city of its gaze (The Chicago Daily News famously called it a "Case for Ra(n)t Control"), it is now widely regarded by scholars as a definitive prose portrait of the city of Chicago, although it has never rivaled the literary status of Carl Sandburg's 1916 poem "Chicago ...
Carl Sandburg, his wife, and two daughters had their ashes buried under "Remembrance Rock", the 5-foot granite boulder whose name was the source for the novel's title, [4] in the backyard of Sandburg's birthplace and boyhood home.
"City of Big Shoulders" is a nickname coined by Carl Sandburg in his 1914 poem "Chicago," which describes the city as "stormy, husky, [and] brawling." It is the last of several nicknames in the poem; the others hint at the city's major industrial activities, for example, the meat-packing industry and railroad industry. [11]
The title was taken from a line in a Carl Sandburg poem. The Family of Man was exhibited in 1955 from January 24 to May 8 at the New York MoMA, then toured the world for eight years to record-breaking audience numbers. Commenting on its appeal, Steichen said, "The people in the audience looked at the pictures, and the people in the pictures ...