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Musique concrète (French pronunciation: [myzik kɔ̃kʁɛt]; lit. ' concrete music ') [nb 1] is a type of music composition that utilizes recorded sounds as raw material. [1] Sounds are often modified through the application of audio signal processing and tape music techniques, and may be assembled into a form of sound collage.
Concret PH (1958) is a musique concrète piece by Iannis Xenakis, originally created for the Philips Pavilion (designed by Xenakis as Le Corbusier's assistant) at the 1958 Brussels World's Fair and heard as audiences entered and exited the building (PH = paraboloïdes hyperboliques, concret = reinforced concrete/musique concrète).
Pierre Henri Marie Schaeffer (English pronunciation: / p iː ˈ ɛər ˈ h ɛ n r iː m ə ˈ r iː ˈ ʃ eɪ f ər / ⓘ, French pronunciation:; 14 August 1910 – 19 August 1995) [1] was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC).
The origin of sound collage can be traced back to the works of Biber's programmatic sonata Battalia (1673) and Mozart's Don Giovanni (1789), and certain passages in Mahler symphonies as collage, but the first fully developed collages occur in a few works by Charles Ives, whose piece Central Park in the Dark (1906) creates the feeling of a walk in the city by layering several distinct melodies ...
Lennon said he was trying to paint a picture of a revolution using sound. The composition was influenced by the avant-garde style of Ono as well as the musique concrète works of composers such as Edgard Varèse and Karlheinz Stockhausen. The recording began as an extended ending to the album version of Lennon's song "Revolution".
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Deux Études, musique concrète (1951–52) Structures I for two pianos (1951–52) Le Marteau sans maître for alto voice and six instruments (1953–55; revised 1957) La Symphonie mécanique musique concrète for a film by Jean Mitry (1955) L'Orestie incidental music for Aeschylus' trilogy the Oresteia, for voice and instrumental ensemble (1955)
Un petit peu de musique, Musical Play for children's chorus and piano, Op. 119 (1932); words by Armand Lunel; Un petit peu d'exercice, Musical Play for children's chorus and piano, Op. 133 (1934); words by Armand Lunel; Récréation, 4 children's songs for voice and piano, Op. 195 (1938); words by Jacqueline Kriéger
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