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A Matter of Choice is a 1963 British black and white drama film directed by Vernon Sewell and starring Malcolm Gerard, Michael Davis, Anthony Steel, Jeanne Moody and Ballard Berkeley. [3] The screenplay was by Paul Ryder based on an original story by Sewell and Derren Nesbitt .
For example, the 1965 film Thunderball features scenes of deep-sea diving and this is reflected in the associated opening sequence; [25] similarly the opening sequence for the 1964 film Goldfinger shows clips from Bond films projected onto the gold-painted silhouette of actress Margaret Nolan: the titles have been described by Bond scholars ...
Dark Matter is a 2007 American drama film and the first feature film by opera director Chen Shi-zheng, starring Liu Ye, Aidan Quinn and Meryl Streep.Liu Ye plays a young scientist whose rising star must confront the dark forces of politics, ego, and cultural insensitivity.
Early modernist film came to maturity in the era between WWI and WWII, with characteristics such as montage and symbolic imagery, manifesting itself in genres as diverse as expressionism and surrealism (as featured in the works of Fritz Lang and Luis Buñuel) [1] while postmodernist film – similar to postmodernism as a whole – is a reaction to modernist works, and to their tendencies (such ...
The Heart of the Matter is a 1953 British drama film based on the 1948 book of the same name by Graham Greene. [2] It was directed by George More O'Ferrall for London Films . [ 3 ] It was entered into the 1953 Cannes Film Festival .
North managed to integrate his modernism into typical film music leitmotif structure, rich with themes. One of these became the famous song "Unchained Melody". [1]Nominated for fifteen Oscars but unsuccessful each time, North is one of only two film composers to receive the Lifetime Achievement Academy Award, the other being Ennio Morricone.
Speaking about quotes, the Instagram page Movie Quotes posts some of the most memorable ones from movies and TV shows, so we have compiled the best ones for you. Some of them will definitely ...
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
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