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Mimikyu (/ ˈ m iː m iː k j uː / ⓘ; Japanese: ミミッキュ, Hepburn: Mimikkyu) is a Pokémon species in Nintendo and Game Freak's Pokémon franchise. Designed by Megumi Mizutani for the 2016 video games Pokémon Sun and Moon, it is referred to as the "disguise Pokémon" in the series due to its appearance, which resembles a ragdoll form of Pikachu, the series mascot.
Pikachu (/ ˈ p iː k ə tʃ uː / ⓘ; Japanese: ピカチュウ, Hepburn: Pikachū) is a Pokémon species in Nintendo and Game Freak's Pokémon media franchise, and the franchise's mascot.
Pokémon and its character Pikachu are not the only media franchises that are used by this Nintendo-made device.Sakura Taisen, a media franchise of SEGA and licensed by RED Entertainment released a virtual-pet with pedometer, in the same style as the Pokémon Pikachu 2 GS, called Pocket Sakura (ポケットサクラ) and Sakura Taisen GB, developed by Jupiter.
Detective Pikachu was released in Japan on May 3, 2019 [8] [9] and in the United States on May 10, 2019, distributed by Warner Bros. Pictures in RealD 3D, Dolby Cinema, IMAX, 4DX, and ScreenX formats. [10]
The first volume, The Electric Tale of Pikachu!, was released on September 5, 1999. The third volume, Electric Pikachu Boogaloo, was released on April 5, 2000. In Singapore, the manga is published in English by Chuang Yi and translated as Pokémon: The Electric Tale of Pikachu! for all four volumes. [5]
The Pikachu virus, also referred to as Pokey or the Pokémon virus, was a computer worm believed to be the first malware geared at children, due to its incorporation of Pikachu, the mascot species of the Pokémon media franchise. It was considered similar to the Love Bug, albeit slower in its spread and less dangerous.
Original file (491 × 666 pixels, file size: 551 KB, MIME type: image/png) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
While the movement has become increasingly mainstream, the roots of shock art run deep into art history; Royal Academy curator Norman Rosenthal noted in the catalog for the "shock art" exhibition Sensation in 1997 that artists have always been in the business of conquering "territory that hitherto has been taboo". [3]