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Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l ...
Polished plaster is a term for the finish of some plasters and for the description of new and updated forms of traditional Italian plaster finishes. The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. [1]
Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco ( Italian : affresco ) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting ...
The oldest method, known as the a massello technique, involves cutting the wall and removing a considerable part of it together with both layers of plaster and the fresco painting itself. The stacco technique, on the other hand, involves removing only the preparatory layer of plaster, called the arriccio together with the painted surface.
The first is that in a city that extends over water, the transport of sand for making plaster and the disposal of tailings was, and still is, a huge problem. So the use of marmorino was successful not only because the substrate was prepared using terra cotta scraps, but also the finish, marmorino, was made with leftover stone and marble, which ...
The history of ceramic repair is vast and ranges from different methods and methodologies. For example, in 16th century China, people would repair broken ceramics by using pieces from other objects to disguise the patch. A sixteenth-century manuscript describes the process of patching broken ceramics:
The rediscovery of Venetian plaster can be attributed to the Renaissance period, characterized by a renewed interest in the ancient techniques of Rome. Palladio , a renowned Renaissance architect, referred to the process as "Pietra d'Istria" since the plaster bore a striking resemblance to natural rocks such as marble, granite, and travertine ...
In the 14th century, decorative plasterwork called pargeting was being used in South-East England to decorate the exterior of timber-framed buildings. This is a form of incised, moulded or modelled ornament, executed in lime putty or mixtures of lime and gypsum plaster.
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