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Lobolo or lobola in Zulu, Xhosa, Swazi, Silozi, and northern and southern Ndebele (mahadi in Sesotho, mahari in Swahili, magadi in Sepedi and bogadiSetswana, lovola in Xitsonga, and mamalo in Tshivenda) roora in [ChiShona}, sometimes referred to as "bride wealth" [1] [2] [3] or "bride price" is a property in livestock or kind, which a prospective husband, or head of his family, undertakes to ...
Traditional music features drums, rattles, whistles, flutes, mouth harps, and stringed-instruments and especially group singing accompanied by hand clapping. [citation needed] There are songs for various ritual occasions; one of the best-known Xhosa songs is a wedding song called "Qongqothwane", performed by Miriam Makeba as "Click Song #1 ...
Pages in category "NA-importance Song Contests pages" The following 200 pages are in this category, out of approximately 2,931 total. This list may not reflect recent changes .
Avoid back-to-back line dance songs. Even the most enthusiastic dancers need a break.” Every Thursday night, S Bar in Columbia, S.C. is the home of the TruKuntry Steppas.
The Lobedu or Balobedu (also known as the BaLozwi or Bathobolo) are a southern African ethnic group that speak a Northern Sotho dialect. Their area is called Bolobedu. The name "balobedu" means "the mineral miners," lobela or go loba, - to mine.
The Tonga people pay lobola (bride price) in the form of money, with kin liable for further payments if a child or wife falls ill. Males could not divorce their wives without a hearing of public repudiation, while she and her family could dismiss him without formality, unless he had a wealthy or otherwise powerful family.
Transfer of lobola occurs, which includes the transfer of cattle from the groom's family to the bride's family. This can occur months or years after umtsimba . [ 5 ] [ 14 ] The Swazi tradition states: "akulotjolwa intfombi kulotjolwa umfati" which means that, the bride price is paid for a woman who is legally bound in marriage and not for a ...
The music and dance of mhande are intricately intertwined. [2] Similar to other forms of traditional Shona music, like mbira, the mhande music features a triple meter, a cyclical structure, and polyrhythms. These interwoven rhythms emerge from the drummers, dancers' footwork, singers, and the makwa hand-clapping by participants or observers.