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Lobolo or lobola in Zulu, Xhosa, Swazi, Silozi, and northern and southern Ndebele (mahadi in Sesotho, mahari in Swahili, magadi in Sepedi and bogadiSetswana, lovola in Xitsonga, and mamalo in Tshivenda) roora in [ChiShona}, sometimes referred to as "bride wealth" [1] [2] [3] or "bride price" is a property in livestock or kind, which a prospective husband, or head of his family, undertakes to ...
The important parties of the bride's maids are 1) ematshitshi (girls who have reached puberty but have not chosen a lover) 2) emaqhikiza (girls who have chosen a lover) 3) tingcugce (these are girls who have chosen a lover and are preparing for marriage). [7] The umtsimba also serves to test the hospitality of the future husband.
Learning traditional music begins with incentive and desire to fully share in the life of the village as almost every occasion of life including play songs for children, the girls' and boys' umtshotsho song as they grow, the intlombe dance parties, songs and dances of initiation practices, ancestor songs and beer songs.
Supporters of the song see it as a song that articulates an important part of South Africa's history, [6] [7] is an important part of political discourse, [8] [9] and that its meaning has been misconstrued as advocating killing Boers or farmers. [10]
"Mayu" means a group of people who give woman and "Dama" means a group of people who take woman. The “bride wealth” system is extremely important for kinship system in Kachin society and has been used for centuries. The purpose of giving "bride wealth" is to honor the wife giver "Mayu" and to create a strong relationship.
The song "Auld Lang Syne" comes from a Robert Burns poem. Burns was the national poet of Scotland and wrote the poem in 1788, but it wasn't published until 1799—three years after his death.
The song uses Ndebele words and is Zimbabwean in origin even though the Zulu and Zimbabwean Ndebele ethnic groups are very similar (see Nguni languages). [1] Some people argue that the song describes the journey to the mines in South Africa, while others say it describes the return to Zimbabwe. [1] It is also sometimes sung "stimela siphume ...
The song was the official anthem for the African National Congress during the apartheid era and was a symbol of the anti-apartheid movement. [7] For decades during the apartheid regime it was considered by many to be the unofficial national anthem of South Africa, representing the suffering of the oppressed masses.