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Sheath dress. In fashion, a sheath dress is a fitted, straight cut dress, often nipped at the waistline with no waist seam. [1] When constructing the dress, the bodice and skirt are joined together by combining the skirt darts into one dart: this aligns the skirt darts with the bodice waist dart. [2]
A shift dress is a dress in which the cloth falls straight from the shoulders and has darts around the bust. It frequently features a high scoop or boat neck. [3] The shift dress is often confused with the sheath dress, which is form-fitting and shaped by tucks on the waist area. Shift dresses became popular in western fashion in the 1920s and ...
Their patterns are sold in over 60 countries. Their unprinted patterns ended in 1946, and were all printed thereafter. DuBarry patterns were manufactured by Simplicity from 1931 to 1946 exclusively for F. W. Woolworth Company. Vogue Pattern Service began in 1899, a spinoff of Vogue Magazine ' s weekly pattern feature. In 1909 Condé Nast bought ...
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Three patterns for pants (2022) Pattern making is taught on a scale of 1:4, to conserve paper. Storage of patterns Fitting a nettle/canvas-fabric on a dress form. In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled.
The dresses were held up by one or two straps and were worn down to the ankle, while the upper edge could be worn above or below the breasts. The length of the dress denoted the social class of the wearer. [9] Beading or feathers were also used as an embellishment on the dress. [10] Over the dress, women had a choice of wearing shawls, capes ...
In the 1939 film The Wizard of Oz, American entertainer Judy Garland wore a blue-and-white dress in her seminal role as Dorothy Gale throughout the film. Also nicknamed the "Dorothy dress", [1] [2] [3] it was designed for the film by MGM costume designer Adrian, who based it on L. Frank Baum's description of Dorothy's dress in his children's book The Wonderful Wizard of Oz (1900).
The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
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