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The "original Klingon" version differs from the English version in ways that reflect the play's history as supposedly originating from Klingon culture. Reference sections in the book show how literal translations of the Klingon body text have had to be "adapted" to make it intelligible for human readers in the supposedly "translated" English ...
[1]: 178 [31] The translations are put in a framing story where Shakespeare (Wil'yam Shex'pir) actually was a Klingon, and characters like Hamlet (Khamlet), Benedick and Beatrice (B'enerdik and B'eterirsh) are discussed in the context of Klingon culture. In this setting, the English versions are the actual translations, and have acquired the ...
[37] [38] In 1996, The Klingon Hamlet, a translation of the play into the constructed Klingon language was published, and parts of it have been performed by the Washington Shakespeare Company. [39] The 1983 comedy Strange Brew is loosely based on Hamlet. Prince Hamlet is represented by Pam, daughter of a murdered brewery-owner who's spirit ...
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In "Requiescat in Pace, John M. Ford", Eric Burns suggests that the popularity of Ford's inside look at Klingon culture, and his positive portrayal of Klingons as an honorable people by their own lights (not simply stock villains), also influenced the canonical depiction in later incarnations of Star Trek, paving the way for honor-driven Klingons like Worf, and episodes that would likewise ...
Hamlet and His Problems" is an essay written by T. S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. [1]
Skeptics puzzling over the logic of watching 82-year-old Ian McKellen playing student prince Hamlet need only look as far as the play’s second scene in which Hamlet rebukes his mother. “I have ...
The production took place because of a lighthearted agreement between Richard Burton and Peter O'Toole while they were filming Becket.O’Toole decreed that they should each play Hamlet afterwards under the direction of John Gielgud and Laurence Olivier in either London or New York City, with a coin toss deciding who would be assigned which director and which city.