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Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
When it comes to composing his own work, Einaudi said: “Music represents the vision of the world that I would like to have, where I would like to live, where I would like to be, how I would like ...
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics.
But, being concerned with human forms (at least in Schopenhauer's day) and human emotions, these art forms were inferior to music, which being a direct manifestation of will, was to Schopenhauer's mind the highest form of art. Schopenhauer's philosophy of music was influential in the works of Richard Wagner. Wagner was an enthusiastic reader of ...
Because Universal Music Publishing Group — Universal’s publishing company — was also unable to come to an agreement, the rights to the songs they owned and controlled were also pulled (but ...
Since the late nineteenth century and beyond, with the development of 'the arts' as a cultural concept, the debate about art and morality has intensified, with the ever more challenging activities of artists becoming targets for those who see art as an influence for bad or good, and it has been a mainstay of many art critics' negative reviews.
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Framing all the great music out there only drags down its immediacy. The songs are lyrics, not speeches, and they're tunes, not paintings. Writing about music is like dancing about architecture—it's a really stupid thing to want to do. [2] [10] Costello subsequently became widely identified with the quote.