Search results
Results from the WOW.Com Content Network
Nagarakretagama was written as a puja sastra, a genre of Old Javanese literature of adoration and reverence, directed mainly to King Hayam Wuruk. Prapanca did not shy away to express his admiration, even bordering somewhat a cult, since he often invoked a divine quality of the king and his royal family.
Sasak village on Lombok. Sasak is spoken by the Sasak people on the island of Lombok in West Nusa Tenggara, Indonesia, which is located between the island of Bali (on the west) and Sumbawa (on the east).
Musi (Basé Musi) is a Malayic variety spoken primarily in parts of South Sumatra, Indonesia.While the name Musi in the broad sense can also refer to the wider Musi dialect network comprising both Upper Musi and Palembang–Lowland clusters, [2] it is locally used as an endonym specific to the variety spoken in the upstream parts of Musi River.
The mēḷa system of ragas was first propounded by Raamamaatya in his work Svaramelakalanidhi c. 1550. He is considered the father of mela system of ragas. Later, Venkatamakhin, a gifted musicologist in the 17th century, expounded a new mela system known today as mēḷakarta in his work Chaturdandi Prakaasikaa. [3]
Keadaan dan Perkembangan Bahasa, Sastra, Etika, Tatakrama, dan Seni Pertunjukan Jawa, Bali, dan Sunda [The Status and Development of Javanese, Balinese, and Sundanese Language, Literature, Ethics, Manners, and Performance Arts] (in Indonesian). Yogyakarta: Project for the Research and Analysis of Works from Around the Archipelago.
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music (musical scale of South Indian classical music) and Yakshagana music. It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale)of the Melakarta
Yogyakarta: Yayasan Pustaka Nusantara bekerja sama dengan Pemerintahan Provinsi Daerah Istimewa Yogyakarta, Daerah Tingkat I Jawa Tengah, dan Daerah Tingkat I Jawa Tengah. ISBN 979-8628-00-4. Sanskrit and Kawi Poerwadarminta, W J S (1930). Serat Mardi Kawi (in Javanese). Vol. 1. Solo: De Bliksem. Poerwadarminta, W J S (1931).
Nasikabhushani scale with shadjam at C. Nasikabhushani is the 4th rāgam in the 12th chakra Aditya.The mnemonic name is Aditya-Bhu.The mnemonic phrase is sa ru gu mi pa dhi ni. [2]