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Though a rather short poem, and for that matter, the shortest poem on the page, "The Lilly" puts forth a great deal of symbolism and figurative language to be interpreted in numerous ways. Though there are many different interpretations out there, the experts seem to agree on two main themes for this poem.
The Rose That Grew from Concrete (1999) is a collection of poetry written between 1989 and 1991 by Tupac Shakur, published by Pocket Books through its MTV Books imprint. [1] A preface was written by Shakur's mother Afeni Shakur , a foreword by Nikki Giovanni and an introduction by his manager, Leila Steinberg .
[4] In this, the man in the poem is trying to show his love to his rose tree, but only seems to have the love unrequited, even though he treats the rose tree like royalty. This echoes the idea of "Human Love" as we often want things we can't have, and become infatuated with things, or idealizing them instead of actually loving them.
The Rose That Grew from Concrete is a posthumous album based on the poetry/writings of Tupac Shakur, released on November 21, 2000.This album features a large cast of celebrities reading Shakur's poetry and writing, much in the spirit of a traditional spoken-word album. 2Pac is featured on the song "The Rose That Grew from Concrete".
The poem uses the image of a flowering plant - specifically that of a chasmophyte rooted in the wall of the wishing well - as a source of inspiration for mystical/metaphysical speculation [1] and is one of multiple poems where Tennyson touches upon the topic of the relationships between God, nature, and human life.
"The Rhodora, On Being Asked, Whence Is the Flower", or simply "The Rhodora", is an 1834 poem by American writer Ralph Waldo Emerson, a 19th century philosopher. The poem is about the rhodora , a common flowering shrub, and the beauty of this shrub in its natural setting.
"Shine, Perishing Republic" is a poem by the American writer Robinson Jeffers, first published in 1925 in the collection Roan Stallion, Tamar, and Other Poems. It describes an increasingly corrupt American empire, which it advises readers to view through the naturalizing perspective of social cycles. Jeffers wrote two companion poems in the ...
These poems, collected under the titles Drum-Taps and Sequel to Drum-Taps, range in emotional context from "excitement to woe, from distant observation to engagement, from belief to resignation" and "more concerned with history than the self, more aware of the precariousness of America's present and future than of its expansive promise."